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8 January 1836 – 25 June 1912. Most renowned painters.

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BELLINI, Giovanni
Dead Christ Supported by Two Angels (Pieta)

ID: 05030

BELLINI, Giovanni Dead Christ Supported by Two Angels (Pieta)
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BELLINI, Giovanni Dead Christ Supported by Two Angels (Pieta)


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BELLINI, Giovanni

Italian High Renaissance Painter, ca.1430-1516 Giovanni Bellini (c. 1430 ?C 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini, and his brother-in-law was Andrea Mantegna. He is considered to have revolutionized Venetian painting, moving it towards a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian.  Related Paintings of BELLINI, Giovanni :. | Dead Christ Supported by Angels (Pieta) 3659 | Madonna with Child and Sts. Peter and Sebastian fgf | Madonna and Child du7 | Madonna with Child Blessing 25 | Portrait of Teodoro of Urbino knjui |
Related Artists:
Joos van cleve
Flemish Northern Renaissance Painter, ca.1485-1540
Jacopo de Barbari
active in Nuremberg 1500-1515/16
Amalia Lindegren
(22 May 1814 in Stockholm, died 27 December 1891 in Stockholm, was a Swedish artist and painter, from 1856 a member of the Royal Swedish Academy of Arts. At the age of three, she was left an orphan after her mothers death and adopted by the widow of her alleged biological father, Benjamin Sandel. Her position as a child was somewhat humiliating, as a form of charity object for the upper classes, and in her later work, her paintings of sad little girls is believed to be inspired by her childhood. Her drawings made the artist and art teacher Carl Gustaf Qvarnström include her as one of the four women accepted as students at the academy in 1849, and in 1850, she became the first woman given an art scholarship from the academy to study art in Paris, which she did at the studies of Coignet and Tissier; she also studied in D??sseldorf and Menich before she returned to Sweden in 1856, were she was elected to the academy






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